| 1. Untitled#1 | Herba Abri | | | ?:?? | Instrument (als „amplified qin qin”) |
| 2. Untitled#2 | Herba Abri | | | ?:?? | Instrument (als „amplified qin qin”) |
| 3. Untitled#3 | Herba Abri | | | ?:?? | Instrument (als „amplified qin qin”) |
| 4. Untitled#4 | Herba Abri | | | ?:?? | Instrument (als „amplified qin qin”) |
| Abdelazer, Z. 570: Rondeau | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 2:07 | Instrument (als „chitarrone”) |
| Ajo Sotop | Chaksam-Pa | | | 5:11 | Instrument |
| Ale | Wimme | | | 3:21 | Instrument |
| Another Girl | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 2:42 | Instrument (als „chitarrone”) |
| Arromba 4° tom | Ensemble Banza, Rogério Budasz | | | 2:54 | Instrument (als „viola de cocho”) |
| Avant-dernières pensées: III. Méditation, à Albert Roussel | Lautten Compagney, Wolfgang Katschner | | | 1:00 | Instrument (als „chitarrone”) |
| Ave Regina à 7 | Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Marie Luise Werneburg, Dominik Wörner, Weser-Renaissance Bremen, Manfred Cordes | | | 2:06 | Instrument (als „Chitarrone”) |
| Basilisks | Joseph Trapanese | | | 6:59 | Instrument |
| Be Prepared | Benjy Gaither | | 5 | 2:46 | Instrument |
| Because | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 2:30 | Instrument (als „colascione”), Instrument (als „chitarrone”) |
| Benedicam Dominum à 12 | Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Christian Volkmann, Marie Luise Werneburg, Mark Williams, Dominik Wörner, Weser-Renaissance Bremen, Manfred Cordes | | | 4:03 | Instrument (als „Chitarrone”) |
| Blackbird | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 2:29 | Instrument (als „colascione”) |
| Bonded by Claire | The Travelers VGM | | | 4:42 | Instrument (als „Octavina”) |
| Bonduca, Z. 574: Air | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 2:22 | Instrument (als „chitarrone”) |
| Born With a Broken Heart | Damiano David | | 3 | 3:29 | Instrument |
| Brindis | Carmen París | | 3 | 5:01 | Instrument |
| Bukë e kripë në vatër tonë / Kalaxhojnë | 3 Mustaphas 3 | | | 4:26 | Instrument (als „qifteli”) |
| Buribalal | Afel Bocum | | | 4:32 | Instrument (als „njurkle”) |
| Burundanga | Milly Quezada | | | 2:55 | Instrument (als „requinto”) |
| Cantiones sacrae: Herr, wie lang wiltu mein sogar vergessen, SSWV 1 | Lautten Compagney, Wolfgang Katschner | | | 2:38 | Instrument (als „chitarrone”) |
| Canto dè gl’uccelli | Lautten Compagney, Wolfgang Katschner | | | 6:15 | Instrument (als „colascione”) |
| Capriccio a 4 | Ensemble Sonnerie | | | 3:44 | Instrument (als „chitarrone”) |
| Carmina veris et amoris: Vacillantis trutine II (CB 108) | Clemencic Consort, René Clemencic | | | 9:41 | Instrument (als „mandore”) |
| Ch’Amor sia nudo | Shannon Mercer, Sylvain Bergeron | | | 2:40 | Instrument (als „theorbo or baroque guitar”) |
| Charminar | Amit Heri & Mani Sharma | | | 1:32 | Instrument |
| Colás | Dan Zanes and Friends with The Villa-Lobos Brothers | | | 3:03 | Instrument (als „jarana”) |
| Collection of Ancient Georgian Urban Songs | Duduki Trio | | | 5:35 | Instrument (als „panduri”) |
| Collection of Folk Songs | Duduki Trio | | | 3:17 | Instrument (als „panduri”) |
| Concerto Blues | Lautten Compagney, Wolfgang Katschner | | | 5:19 | Instrument (als „chitarrone”) |
| Concerto C-Dur nach dem Concerto C-Dur "Grosso Mogul" (RV 208) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 594: [keine satzangabe] | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman, Naoko Matsumoto | | | 5:35 | Instrument (als „colascione”) |
| Concerto C-Dur nach dem Concerto C-Dur "Grosso Mogul" (RV 208) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 594: Allegro | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman, Naoko Matsumoto | | | 6:13 | Instrument (als „colascione”) |
| Concerto C-Dur nach dem Concerto C-Dur "Grosso Mogul" (RV 208) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 594: Recitativo Adagio | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman, Naoko Matsumoto | | | 2:31 | Instrument (als „colascione”) |
| Concerto C-Dur nach dem Concerto E-Dur op. 3 Nr. 12 (RV 265) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 976: Allegro | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 2:32 | Instrument (als „colascione”) |
| Concerto C-Dur nach dem Concerto E-Dur op. 3 Nr. 12 (RV 265) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 976: Allegro | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 3:08 | Instrument (als „colascione”) |
| Concerto C-Dur nach dem Concerto E-Dur op. 3 Nr. 12 (RV 265) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 976: Largo | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 3:29 | Instrument (als „colascione”) |
| Concerto for 4 Violins and Cello in B minor, op. 3 no. 10, RV 580: III. Larghetto | Lautten Compagney, Wolfgang Katschner | | | 2:29 | Instrument (als „colascione”) |
| Concerto G-Dur nach dem Concerto B-Dur (RV 381) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 980: Allegro | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 3:29 | Instrument (als „colascione”) |
| Concerto G-Dur nach dem Concerto B-Dur (RV 381) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 980: Allegro | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 3:14 | Instrument (als „colascione”) |
| Concerto G-Dur nach dem Concerto B-Dur (RV 381) für Violine, Streicher und Basso continuo von Antonio Vivaldi, BWV 980: Largo | Naoki Kitaya, Rainer Zipperling, Thomas Boysen, Daniel Oman | | | 3:22 | Instrument (als „colascione”) |
| Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano | Ottomar Borwitzky, Edith Picht‐Axenfeld, Karl Scheit, Michel Schwalbé, Hanns-Joachim Westphal, Berliner Philharmoniker, Herbert von Karajan, Friedrich Fischer | | | 6:07 | Instrument |
| Concerto I in F major: Adagio | Banchetto Musicale | | | 2:17 | Instrument (als „chitarrone”) |
| Concerto I in F major: Allegro | Banchetto Musicale | | | 4:05 | Instrument (als „chitarrone”) |
| Concerto I in F major: Allegro assai | Banchetto Musicale | | | 4:06 | Instrument (als „chitarrone”) |
| Concerto II in A minor: Adagio ed a tempo giusto | Banchetto Musicale | | | 2:28 | Instrument (als „chitarrone”) |
| Concerto II in A minor: Allegro | Banchetto Musicale | | | 3:32 | Instrument (als „chitarrone”) |
| Concerto II in A minor: Allegro | Banchetto Musicale | | | 3:23 | Instrument (als „chitarrone”) |
| Concerto III in B-flat major: Adagio e cantabile | Banchetto Musicale | | | 2:12 | Instrument (als „chitarrone”) |
| Concerto III in B-flat major: Allegro | Banchetto Musicale | | | 3:45 | Instrument (als „chitarrone”) |
| Concerto III in B-flat major: Allegro | Banchetto Musicale | | | 4:02 | Instrument (als „chitarrone”) |
| Concerto IV in E minor: Adagio | Banchetto Musicale | | | 2:22 | Instrument (als „chitarrone”) |
| Concerto IV in E minor: Allegro | Banchetto Musicale | | | 3:04 | Instrument (als „chitarrone”) |
| Concerto IV in E minor: Allegro | Banchetto Musicale | | | 2:57 | Instrument (als „chitarrone”) |
| Concerto V in C minor: Allegro | Banchetto Musicale | | | 2:38 | Instrument (als „chitarrone”) |
| Concerto V in C minor: Allegro | Banchetto Musicale | | | 3:20 | Instrument (als „chitarrone”) |
| Concerto V in C minor: Largo | Banchetto Musicale | | | 2:18 | Instrument (als „chitarrone”) |
| Concerto VI in A major: Adagio | Banchetto Musicale | | | 1:46 | Instrument (als „chitarrone”) |
| Concerto VI in A major: Allegro | Banchetto Musicale | | | 3:07 | Instrument (als „chitarrone”) |
| Concerto VI in A major: Allegro | Banchetto Musicale | | | 4:24 | Instrument (als „chitarrone”) |
| Concertus II, Laudate Dominum in sanctis, SSWV 72: Vers no. 4 | Lautten Compagney, Wolfgang Katschner | | | 1:40 | Instrument (als „chitarrone”) |
| Concertus II, Laudate Dominum in sanctis, SSWV 72: Vers no. 5 | Lautten Compagney, Wolfgang Katschner | | | 1:35 | Instrument (als „chitarrone”) |
| Cristo negro (Black Christ) | Quetzal | | | 3:13 | Instrument (als „guitarra de son”), Instrument (als „jarana tercera”) |
| D'Gary Jam | D’Gary, Afel Bocoum, Anania Ngoliga, Baaba Maal, Béla Fleck, Oumou Sangaré, Richard Bona, Toumani Diabaté & Vusi Mahlasela | | | 6:15 | Instrument (als „njurkle”) |
| Dachrilis Simghera | Duduki Trio | | | 1:56 | Instrument (als „panduri”) |
| Dakamana | Afel Bocoum | | | 4:23 | Instrument (als „njurkele”) |
| Descriptions automatiques: Sur une lanterne | Lautten Compagney, Wolfgang Katschner | | | 2:11 | Instrument (als „chitarrone”) |
| Deus misereatur nostri à 12 | Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Christian Volkmann, Mark Williams, Dominik Wörner, Weser-Renaissance Bremen, Manfred Cordes | | | 4:06 | Instrument (als „Chitarrone”) |
| Deus, qui beatum Marcum à 8 | Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Christian Volkmann, Marie Luise Werneburg, Dominik Wörner, Weser-Renaissance Bremen, Manfred Cordes | | | 2:44 | Instrument (als „Chitarrone”) |
| Dilis Saari | Duduki Trio | | | 4:03 | Instrument (als „panduri”) |
| Djougal | Afel Bocoum | | | 4:23 | Instrument (als „njurkele”) |
| Dov’io credea le mie speranze vere | Shannon Mercer, Sylvain Bergeron | | | 4:25 | Instrument (als „theorbo or baroque guitar”) |
| Egredimini à 8 | Jan Van Elsacker, Marie Luise Werneburg, Weser-Renaissance Bremen, Manfred Cordes | | | 2:18 | Instrument (als „Chitarrone”) |
| El perdón (Forgiveness) | Quetzal | | | 4:43 | Instrument (als „jarana tercera”), Instrument (als „guitarra de son”) |
| El pijul | Dan Zanes and Friends with The Villa-Lobos Brothers | | | 3:12 | Instrument (als „jarana”) |
| El que rige y el regido (villancico) | La Capella Reial de Catalunya, Hespèrion XXI | | | 2:03 | Instrument |
| El Rey que tanto madruga (instrumental) *. Anonyme Sépharade (Smyrne, XVIe siècle) | Hespèrion XXI, Jordi Savall | | | 4:23 | Instrument (als „morisca”) |
| El río (The River) | Quetzal | | | 4:47 | Instrument (als „jarana tercera”), Instrument (als „guitarra de alambre”) |
| Exultate iusti à 10 | Marnix De Cat, Bernd Oliver Fröhlich, Christian Volkmann, Dominik Wörner, Weser-Renaissance Bremen, Manfred Cordes | | | 3:37 | Instrument (als „Chitarrone”) |
| Fandango fronterizo (Fandango of the Borderlands) | Quetzal feat. Cesar Castro | | | 4:38 | Instrument (als „jarana tercera”), Instrument (als „guitarra de son”) |
| Fari Njungu | Afel Bocoum | | | 5:36 | Instrument (als „njurkele”) |
| Flúga | SKÁLD | | | 2:32 | Instrument (als „citra”) |
| Fomba | Tarika | | | 4:22 | Instrument (als „kabosy”) |
| Fonetiq | Lo’Jo | | | 3:41 | Instrument (als „panduri”) |
| Françeses, por qué rrazón? (villancico) | La Capella Reial de Catalunya, Hespèrion XXI | | | 3:06 | Instrument |
| Freedom Road | The Divine Comedy | | | 3:56 | Instrument |
| Fresche aurette | Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | | | 1:32 | Instrument (als „theorbo or baroque guitar”) |
| Gandum 7° tom | Ensemble Banza, Rogério Budasz | | | 2:05 | Instrument (als „viola de cocho”) |
| Géorgie : Kartouli (Danse géorgienne) | [traditional] | | | 2:00 | Instrument (als „tchongouri”) |
| Géorgie : Mitsem souri (Danse pastorale) | [traditional] | | | 1:30 | Instrument (als „pandouri”) |
| Géorgie : Satchidao | [traditional] | | | 1:51 | Instrument (als „pandouri”) |
| Girl | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 3:16 | Instrument (als „chitarrone”) |
| Goonies contra E.T. (Danny Brasco & Nick Hook’s versión) | Run the Jewels feat. Sarah La Morena & El Individuo | | | 3:10 | Instrument (als „jarana”) |
| Gymnopédie no. 3 | Lautten Compagney, Wolfgang Katschner | | | 2:45 | Instrument (als „chitarrone”) |
| Heksejagten (Gøglerheksen) | Skjaldesang | | | 3:09 | Instrument |
| Hey Ouedi | Khaled | | 3 | 4:12 | Instrument (als „charengos”) |
| Hisar Ağir Semai. Buhuri Zade Mustafa Efendi (Itri) (ca. 1640 ?-1712) | Hespèrion XXI, Jordi Savall | | | 8:10 | Instrument (als „morisca”) |
| Hisar buselik Şarkı. Tanburi Mustafa Çavuş (1700 ?- 1770) | Hespèrion XXI, Jordi Savall | | | 3:09 | Instrument (als „morisca”) |