| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Intro | Will Smith | 1 | 1:52 |
| 2 | Y’all Know | Will Smith | 4 | 3:57 |
| 3 | Gettin’ Jiggy Wit It- recording engineer:
- Ken "DURO" Ifill
- Koproduzent(in):
- L.E.S.
- Produzent(in):
- Poke and Tone
- assistierende(r) Mix:
- Chris Ribando
- Mix:
- Rich Travali
- Bassgitarre:
- Lanar "Kern" Brantley
- Gitarre [lead guitar]:
- David Foreman
- Keyboard [keyboards]:
- Timothy "Tyme" Riley
- turntable [scratches]:
- DJ Jazzy Jeff
- aufgenommen bei:
- Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- He’s the Greatest Dancer von Sister Sledge und Sang and Dance von The Bar-Kays
- recording of:
- Gettin’ Jiggy Wit It
- Verfasser(in):
- Samuel Barnes, Bernard Edwards & Nile Rodgers, Bernard Edwards , David Porter , Joey Robinson, Jr. , Nile Rodgers und Will Smith
- publisher:
- Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC , Treball Music und Warner–Tamerlane Publishing Corp.
| Will Smith | 4.15 | 3:48 |
| 4 | Candy- recording engineer:
- Ken "DURO" Ifill
- Produzent(in):
- L.E.S. und Poke and Tone
- assistierende(r) Mix:
- Chris Ribando
- Mix:
- Rich Travali
- Bassgitarre:
- Lanar "Kern" Brantley
- Gitarre [lead guitar]:
- David Foreman
- Keyboard [keyboards]:
- Keith Winfield
- Interpret(in):
- Larry Blackmon und Cameo
- aufgenommen bei:
- Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- Candy von Cameo
- recording of:
- Candy
- Verfasser(in):
- Larry Blackmon, Tomi Jenkins, Will Smith und Ryan Toby
- basiert auf:
- Candy
| Will Smith feat. Larry Blackmon & Cameo | 4.65 | 3:57 |
| 5 | Chasing Forever | Will Smith | 4 | 4:16 |
| 6 | Keith B‐Real I (interlude) | Will Smith | 1 | 1:07 |
| 7 | Don’t Say Nothin’ | Will Smith | 3.5 | 4:23 |
| 8 | Miami- recording engineer:
- Ken "DURO" Ifill
- drum machine [drum]-Programmierung:
- L.E.S.
- Produzent(in):
- L.E.S. und Poke and Tone
- assistierende(r) Mix:
- Robert Burnette
- Mix:
- Rich Travali
- Keyboard [keyboards]:
- Keith Winfield
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1997)
- aufgenommen bei und mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- And the Beat Goes On von The Whispers
- recording of:
- Miami
- Texter:
- Will Smith
- Komponist(in):
- Leon Sylvers III, Samuel J. Barnes, William Shelby, Stephen Shockley und Ryan Toby
- publisher:
- DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait , Slamuwell Productions, Solar Songs Inc. und Treyball Music
| Will Smith | 4.45 | 3:18 |
| 9 | Yes Yes Y’all- recording engineer und Mix:
- Ken "DURO" Ifill
- drum machine [drum]-Programmierung:
- Poke and Tone
- Koproduzent(in):
- L.E.S.
- Produzent(in):
- Poke and Tone
- assistierende(r) Mix:
- Robert Burnette
- Bassgitarre:
- Lanar "Kern" Brantley
- Gitarre [lead guitar]:
- David Foreman
- Keyboard [keyboards]:
- Timothy "Tyme" Riley
- turntable [scratches]:
- DJ Jazzy Jeff
- Interpret(in):
- Camp Lo
- aufgenommen bei:
- Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- Here We Go Again, Parts 1 & 2 von The Isley Brothers
- recording of:
- Yes Yes Y’all
- Verfasser(in):
- Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley , Rudolph Isley, Nasir Jones und Will Smith
| Will Smith feat. Camp Lo | 4.65 | 4:23 |
| 10 | I Loved You | Will Smith | 3.5 | 4:13 |
| 11 | Keith B‐Real II (interlude) | Will Smith | 1 | 0:30 |
| 12 | It’s All Good | Will Smith | 3.5 | 4:05 |
| 13 | Just the Two of Us | Will Smith | 4.35 | 5:16 |
| 14 | Keith B‐Real III (interlude) | Will Smith | 1 | 1:54 |
| 15 | Big Willie Style- recording engineer:
- Ken "DURO" Ifill
- Koproduzent(in):
- Poke and Tone
- Produzent(in):
- L.E.S.
- assistierende(r) Mix:
- Robert Burnette
- Mix:
- Rich Travali
- Bassgitarre:
- Lanar "Kern" Brantley
- Gitarre [lead guitar]:
- David Foreman
- Keyboard [keyboards]:
- Timothy "Tyme" Riley
- Interpret(in):
- Lisa “Left Eye” Lopes
- aufgenommen bei:
- Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- Something Special von Earth, Wind & Fire
- recording of:
- Big Willie Style
- Verfasser(in):
- Will Smith , Timothy Riley, Wanda Vaughn, Wayne L. Vaughn und Maurice White
| Will Smith feat. Left Eye | 3.5 | 3:35 |
| 16 | Men in Black | Will Smith | 4.6 | 3:48 |